![]() No one has argued that length and structure are the two key elements in defining a short story. Affective Operation, Length, and StructureĨ Could the short story be reasonably defined as much by its affective operation on readers as it is by its length or structure?ĩ NAGEL: The simple answer to this question is no, although the formulation of the question is critically loaded. She has also published on Virginia Woolf, gendered subjectivity, and Woolf’s debt to the eighteenth century. Markley, Wallace co-edited the first collection of essays dedicated to the autodidact playwright, novelist, and organic intellectual, Thomas Holfcroft ( Re-viewing Thomas Holcroft, 1745-1809 ). She has written extensively on literature and politics in late eighteenth-century Britain, from Revolutionary Subjects in the English “Jacobin” Novel to an edited collection, Enlightening Romanticism, Romancing Enlightenment: British Fiction 1750-1830. She is director of the graduate program in Literature, Medicine and Culture at UNC and co-founder of Carolina’s Medical Humanities Lab.ħ Miriam Wallace is professor of English at New College of Florida and Director of Gender Studies. Her first book is Affecting Fictions: Mind, Body, and Emotion in American Literary Realism, and she is finishing a second monograph on Alice, William, and Henry James. She works on the relationship between literature and science, widely construed. He has published some eighty articles in the field and lectured on American literature in fifteen countries.Ħ Jane Thrailkill is Bowman and Gordon Gray Distinguished Term Associate Professor at the University of North Carolina at Chapel Hill. Among his twenty-four books are Stephen Crane and Literary Impressionism, Hemingway in Love and War, The Contemporary American Short-Story Cycle, Race and Culture in Stories of New Orleans, and Handbook of the American Short Story. ![]() Early in his career he founded the scholarly journal Studies in American Fiction and the widely influential series Critical Essays on American Literature. ![]() He is the president of the international Society for the Study of the American Short Story and a former president of the international Ernest Hemingway Society. She is currently working on a book-length project on secularism, slavery, and American fiction from the Revolution through the Civil War.ĥ James Nagel is the Eidson Distinguished Professor Emeritus at the University of Georgia and a Visiting Scholar at Dartmouth College. Her first book, The Politics of Anxiety in Nineteenth-Century American Literature, was published by Cambridge University Press in 2011. He is Professor of English at the University of Ottawa, where he has taught since 1985.Ĥ Justine Murison is an associate professor of English at the University of Illinois at Urbana-Champaign. He has been the recipient of a few prizes for his writing, including the gold award for short fiction in Canada’s National Magazine Awards. He has published five books of fiction, including two short story cycles, Kisbey and Troutstream, the frame tale One’s Company, and the novels Exotic Dancers and Missing Children. He is also the author of Stephen Leacock: Humour and Humanity (1998) and of numerous essays and short stories. In 2001, the University of Toronto Press published his second book of criticism, The One and the Many: English-Canadian Short Story Cycles, and then in 2002 the compilation Leacock on Life. He is the author of seventeen books, including works on narrative theory ( The Mind and Its Stories, Understanding Nationalism: On Narrative, Identity, and Cognitive Science, Affective Narratology, and Narrative Discourse ) and a book-length, narrative poem ( The Death of the Goddess ).ģ Gerald Lynch was born in Ireland and grew up in Canada. Biographies of the contributors follow:Ģ Patrick Colm Hogan is a professor in the English Department and the Program in Cognitive Science at the University of Connecticut. The roundtable is divided into two sections, the first of which deals with connections between genre, form, and affect, and the second of which deals with the short story cycle. ![]() 1 The editors of this special section asked a panel of experts to weigh in on questions related to the short story, the short story cycle, genre and form, emotion, affect, and effects on the reader.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |